Lo-Fi Symphonies Residency – DAY 1 (18.08.13)

MISSION STATEMENT
To set up a lo-fi recording studio at a remote location and record over a period of 4 days*.

The intention is to work on a collection of dirges and ditties that have been drifting around my headspace over the past couple of years, working on a battered old digital 8-track and a limited arsenal of instruments.

There is no hi-tech recording console, and no software studio. Instead I have a digital 8-track recorder, which I find lends itself to a non-precious, back-to-basics working style – if a take doesn’t make the grade, I have to go back and re-do it again. And again. There will be no luxury of countless overdubs to 32 tracks in ProTools here!

*please note: this is not some “bourgeois artist-type wants to feel tortured and authentic, and so heads off to the wilderness to live in a log cabin for 3 months with just an acoustic guitar and a wax cylinder to record with” schtick. No, I just want to have a few days to myself to get some ideas on to tape, without the distractions of real life.

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So, you find me in the middle of nowhere, in the shadow of Gatwick airport. The nearest shop is a mile down the road and there is a bus about every 2 hours (if you walk a mile to the bus stop). There is food and drink, and internet (albeit very slow), TV and radio, but I am isolated enough that I shouldn’t have the urge to go to the pub, or the shops. I am also alone: just me and the sounds in my head with a load of equipment of various vintages and states of repair. (oh, and a needy cat)

Here is an overview of the equipment I have at my disposal

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10:30: SLIGHT HITCH

I have forgotten a pretty essential piece of kit – a data transfer cable – which I need in order to transfer audio to the computer. I am an idiot.

14:00: I have returned from a round trip to Hove by car, then train, then another train, then foot, then bike, then train, then bike again. I will eat lunch and get on.  Looks like it’ll be a late night tonight if I am to catch up on lost time.

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Rehearsing the 1st song, I thought I might as well film myself, so here I am bashing away at an acoustic guitar.

The Fledgling and The Moth (acoustic) – take 4

At some point, mid-afternoon, I realised the tempo of the song I am working on is a little too strident. It takes some courage, but I scrap everything I have done so far and start again (I do save the original recordings just in case). Working from the ground up, I create a click track (tempo 82bpm); record a guide track of acoustic guitar and vocal; add some swelling organ; sing an improvised three-part choral chord and sample each part; add two-part backing vocals (2 x mid-range, 1 x low); mix 2 organ takes, with a number of judicious fades, to make a (almost) perfect take.

I have no completed recordings to post at the end of play. I finish work at 03:52 hrs.

NOTES FROM DAY 1
Here are my notes from Day 1 – they will probably make no sense outside of the context of the recording. And even then probably only to me, being that I can’t read or write music and have my own set of codes and signifiers to help me piece things back together.

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